alt Hacker NewsNo accounting for taste, but, graffiti is important whether it's aesthetically pleasing or not.
https://ancientgraffiti.org/Graffiti/
Graffiti is a population's expression of ownership of their city. It's a very common form of countercultural resistance and therefore an important relief valve. It's a way for anyone to express themselves on their environment. A city only has value because it's occupied by many people, and those people need to express their autonomy and quite literally "leave their mark."
Not to mention, it's lovely to be connected to a common thread of humanity over literal millenia. Just as I scrawled onto a bathroom stall in 2005 "Cameron takes it up the bum," so too did Salvius write of his friend on a wall in the House of the Citharist in the year 79, "Amplicatus, I know that Icarus is buggering you. Salvius wrote this."
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>It's a very common form of countercultural resistance and therefore an important relief valve. It's a way for anyone to express themselves on their environment.
So, what are these random scribblers resisting, exactly? It's like saying that defecating on the street is a form of self-expression and "leaving their mark". Even if it is, do we really need to tolerate it?
>Not to mention, it's lovely to be connected to a common thread of humanity over literal millenia.
There is nothing lovely about seeing all this garbage littering the walls of public buildings and historical finds do not justify this behaviour.
> Graffiti is a population's expression of ownership of their city.
I think this is the heart of it, and where cities and suburban towns differ.
It's admittedly very hard to articulate in words. The walls of buildings in a city are part of the greater, broader, "face of the city." They are in a sense both part of a general "public space" yet also still privately owned. The walls of single family homes in suburban neighborhoods don't really compare. There's much more of a shared sense of "ours" in a city than there is out in the country, where everything's fenced off in little discrete boxes of land, each with someone's name on it. This greater sense of shared agency over the aesthetic of the broader "city" makes street art more justifiable there than it is in single family home places.
> therefore an important relief valve
> It's a way for anyone to express themselves on their environment
no, just a way for a minority to trash public infrastructure because they're assholes
Agree with all.
> Graffiti is a population's expression of ownership of their city.
My understanding has been (some fraction of) taggers are disaffected. So I could buy that some are reasserting ownership.
Some are just dumb teenagers acting out (shitposting), like my son did.
A handful are pretty good artists. Like some of the kids in my kid's extended social group. Worthy of resources and media. eg Commissions for murals.
If you're a cinema person, I strongly recommend Agnes Varda's documentary on LA street art at the end of the 1970s, Mur Murs. (That's a pun: murals as an expression of the murmurs of the community.) It takes graffiti as an expression of ownership as the central thesis and I found it really lovely. Thanks for this comment.
I suspect it's not the population's expression of ownership, but simply gangs marking their territory.
They should work as plate cleaners and civil park workers 100 hours a month. That will teach those entitled teens to leave their mark while autonomously cleaning those plates and planting flowers.
> Graffiti is a population's expression of ownership of their city.
Is of course what art-students, pol-sci and social-sciences majors construct out of it because it fits their narratives. Never mind that the scratching of some roman soldier in a brothel's restroom has nothing to do at all with the NYC-born graffti culture. This top-to-bottom social astro-turfing would be just laughable grandstanding if it didn't result in real consequences for less affluent kids: crime, drugs, and deadly injuries as well as filing for bankrupcy at an age where Mrs. cultural-capital has acquired her prestigous arts degree.
I think I used to believe something like this. But I spent two decades living in this context and changed my mind.
There can be beautiful and effective expressions of culture and resistance that don’t tear down the commons people are trying to build together. And it’s hard to ask people to take care of the commons when other people aren’t. Instead we cede management of shared space to private enterprise (malls and gyms and retail as entertainment because your parks are torn up).