> Bradbury’s stories are about people, deeply real and deeply feeling people. ... and less interested in exactly how the ray guns worked.
Maybe this is why I never really got Bradbury. When I read scifi, I can't help but consider the logic of the world that's being described, and Bradbury's worlds aren't really logical (e.g. who would live on such a strict timetable? wouldn't all the singing and rhyming be annoying? how is the house still being powered?). But it makes a lot more sense if the point is to convey feelings. Kind of like an impressionist painting I suppose.
> I can't help but consider the logic of the world that's being described
Focusing your attention on the mechanical logic of a story's world is one lens by which to analyze it, but that is a choice and you can choose to analyze it from other lenses as well. Being able to apply multiple perspectives to anything is a useful skill to practice instead of tacitly accepting the view that comes most easily to us.