alt Hacker News>That's not why brand age watches look strange. Brand age watches look strange because they have no practical function. Their function is to express brand, and while that is certainly a constraint, it's not the clean kind of constraint that generates good things. The constraints imposed by brand ultimately depend on some of the worst features of human psychology. So when you have a world defined only by brand, it's going to be a weird, bad world.
This is a wild thing to say. Brand age watches don't look strange. They look beautiful. Incredible thought and care and intention is put into their design. The people who buy them love them. It's so funny to me to get this far into one of PGs blogs and sort of realise "Oh right, you don't actually understand beauty". It's very hard to read this as much more than a slightly autistic man not understanding that it's ok for people to like beautiful things. It is not worth it to me to spend £100k on a watch, but I don't deny it is to other people, I'm not going to pretend the watch is undesirable.
But it does make me wonder whether Paul things that YC is successful today because it has a better design than other startup programmes, or is it successful today because of it's brand?
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They may be beautiful, but the fact remains if you could produce and sell Patek Philippe Nautilus for $200 no one would be interested in it. The same is not true for most other beautiful objects
> The people who buy them love them.
Yeah, when you spend half a million dollars on a watch, the sunk-cost fallacy has gotta hit hard.
To everyone else who reads this and thinks to themselves "Man, this guy has a refined palate that PG doesn't have. PG can't appreciate beauty", go take a look at the Nautilus yourself https://glennbradford.com/products/patek-philippe-nautilus-0...
It looks like an Aliexpress Timex.
I disagree. It's worth asking why some people find brand watches beautiful? Where did they get their sense of aesthetic? Were they born with a congenital preference for RM 16-01 Citron?
Culture shapes our taste. Companies go on multi-decade billion-dollar campaigns to shape our culture. We like certain things because famous actors or athletes endorse them; because hip hop artists rap about them; because influencers talk about them; because Hollywood portrays them a certain way. This extends to all modern aesthetic preferences from architecture to watches to cars to furniture to dating.
I think the argument pg is making is that brand-obsessed cultures are not maximally truth/beauty-seeking and gets really weird. e.g. Japanese Ohaguro, Chinese foot binding, various cranial deformation practices from the Mayans to the Huns, high-heels, ugly (to outside observers) watches.
It's a really thought-provoking essay. But it's too heterodox and "autistic" to share with most of my friends. Socially speaking, it's best to outwardly embrace the current zeitgeist.