I've been an audiophile for a few years during early twenties because it was fun to check out new and used equipment every weekend in the store I frequented, listened to various great music, and read reviews in various magazines. I had enough disposable income to afford a nice set of highly regarded yet less hyped brands, and even once helped out set up a set with a pricetag of a good house.
Life changed and eventually gave up on the hobby while still being drawn to music and the technology behind audio. Then a "golden" kick out the door of one employer meant I could build the speaker set I had in mind based on Siegfried Linkwitz's knowledge. The total cost for the speakers was about 2000,- but it did take between 2000 and 3000 for a fully active setup with two subwoofer towers and two 3.5 way main towers, all open baffle.
I have never heard a more perfect three-dimensional soundstage before and after, and it still sounds like the artists are actually playing in the livingroom even from other parts of the house. This was kind of Siegfried's message about good sound, the speakers are what make it (electronics are more than good enough at low prices) as long as they're made on scientific grounds, and not another heavy set of hyped monkey coffins. I have reached my audiophile end goal without forking over a fortune. Also fun, I came across one of the only two or three Yamaha CD-1 players made for Europe back then as a trade-in, one rarity I kept as souvenir of those early years. ;-)
> build the speaker set I had in mind based on Siegfried Linkwitz's knowledge > sounds like the artists are actually playing in the livingroom
I'd eagerly read a write-up of what you did.