It’s fully possible I didn’t explain it very well in the first place, but he is making a wider point.
The point I made (quite briefly) is that watermarking is only feasible because for good writing it is necessary to use T>0, or the writing will never explore a more creative choice, and that at T=0 you don’t even need a watermark to spot LLM-generated text.
The point he is making is consistent with this, isn’t it? Either you allow temperature to drive creativity, consistently in a way that can be influenced and analysed, or you adulterate that process for the purposes of meeting a corporate/legal directive, in a way that is proprietary and obscure. These are ethically distinct approaches, and since he disagrees with the EU objective he comes down on one side I guess.
Me, I don’t care about the hypothetical enough.
Not least because I think Claude writes depressingly badly and I doubt any steganographic change will enrage me less.
It’s fully possible I didn’t explain it very well in the first place, but he is making a wider point.
The point I made (quite briefly) is that watermarking is only feasible because for good writing it is necessary to use T>0, or the writing will never explore a more creative choice, and that at T=0 you don’t even need a watermark to spot LLM-generated text.
The point he is making is consistent with this, isn’t it? Either you allow temperature to drive creativity, consistently in a way that can be influenced and analysed, or you adulterate that process for the purposes of meeting a corporate/legal directive, in a way that is proprietary and obscure. These are ethically distinct approaches, and since he disagrees with the EU objective he comes down on one side I guess.
Me, I don’t care about the hypothetical enough.
Not least because I think Claude writes depressingly badly and I doubt any steganographic change will enrage me less.