Fellow readers whose interests are piqued by this comment: this is apparently true. This book [1] talks about it in greater depth. From Wikipedia:

> [The author] describes the growth of the Abstract Expressionist art movement, and its frequent showcasing in New York's Museum of Modern Art (MOMA), as largely a CIA-sponsored operation [...] Since many abstract expressionist painters and sculptors were anarchistic, and strongly anti-CIA, a "long leash" policy was adopted that "kept CIA operatives at a remove of two or three degrees from the artists and art exhibitions—sometimes even more—so that they could not be linked to any furtive governmental bankrolling."

[1] https://en.wikipedia.org/wiki/Who_Paid_the_Piper%3F

> CIA funding helped keep Abstract Expressionist artists like Jackson Pollock afloat

No.

I swear CIA exploits go through so many games of telephone, that reality is whatever people want by the end.

The CIA was involved in including artists like Pollock in the 60s in the MoMA, by then he was well established.

The aim of the CIA was to use american art in juxtaposition to USSR propaganda. Freedom and individualism vs the boring state propaganda of russian workers that people saw leave the iron curtain.

This would be similar to now a days helping american movies get through Chinese censors or to win the Cannes award to showcase how good hollywood and america is. You still need to make the 200 million blockbuster first before the CIA uses their influence.

The myth also perpetuates the idea that modern and contemporary art is basically worthless and that its only valuable because of psyop campaigns from "them" (make it the cia, rich money laundering, sometimes weird antisemetic things take your pick), when in reality Pollock and Rothko were incredibly talented artists and their art has endured well after the CIA ended its operation

The problem with this approach is that the Russian Constructivists and their dealers were very successful in the Soviet Union.

https://www.thecollector.com/what-is-russian-constructivism/

Damn, now I'm going to see every Pollock image as some sort of encrypted data where it just looks random because you don't have the key.

You are correct in the sense that CIA was absolutely using art as a propoganda tool and highlighting how US has such a strong artistic foundation. But that doesn't mean they were personally financially keeping Pollock afloat because it somewhat implies that Pollock is a product of CIA funding when in reality, CIA used Pollock's work as an asset in their cold war.

Nothing says rugged individualism like some good-old state-sponsored abstract art.