This came up about a month ago when someone posted a link celebrating the title cards in Blade Runner. I responded then the same way I will respond now: it’s not just the amazing visuals, it’s also the amazing auditory experience, an additional creative dimension to transport the audience into a dystopian future.
The audio consists of two parts: the wonderful minimalist score by Vangelis, and sound effects that include distant booms, twinkling computer notes, dripping rain, strange languages, the whoosh of futuristic vehicles, even small details such as the crosswalk warning. Along with the set design, photography, special effects, acting, and other visual elements, the audio effectively immerses viewers into this incredible world and story.
Keep in mind that a typical viewer entering the local cineplex in 1982 to watch Blade Runner might have just stepped out of a Chevy Nova with an 8-track cassette player loaded with Juice Newton and Kool & The Gang. The visuals, the score, the sound effects, and the story would have been completely novel, and totally mind-blowing.
The highlight of my summer was Blade Runner Live At the Acropolis. The movie was shown in the ancient theater with a live orchestra performing Vangelis.
They may have a global tour of it in some places this fall.
I agree. The other week I saw this at a movie theater. I was blown away by the audio experience. So much better than watching it on my subpar home audio.
It was a cool experience to watch this on the big screen.
>audio
It's another of those movies which uses light extremely effectively, also.
In fact I've heard it said that every single shot in Blade Runner carefully deals with light specifically.
Just your description makes me want to watch it again twice, and one of those times is with my eyes closed.
> someone posted a link celebrating the title cards in Blade Runner.
The sound is probably why the visuals feel so much larger than the sets actually were
I stepped in to watch it in 1982. Didn't like it much. But rewatching it over the years, it grew on me.
The audio was good but after I listened to it many times, I started to dislike it. On the other hand, for instance, the Conan the barbarian main themes I can always listen to numerous times.
I think Blade Runner stands out for the visual effects though. The dystopian future cities were great. It were these effects packed into a storyline why I did not want to watch the "sequel".
I saw Blade Runner in its first theater run, and I was bored. But it stayed with me, and decided that I had to watch it again. And again and again, and I've now seen in dozens of times over the years. It is one of my favorites, for the completeness of the world, for the visuals, for the music, for the ideas, for the acting, for the little details I keep discovering.
Ridley Scott's idea of the scifi future being as gritty, ugly and dysfunctional as current times led to his creation of his two scifi masterpieces -- Blade Runner and Alien. The sequels have been disappointing, they had to be.