alt Hacker NewsI kind of agree, and it's interesting how Nebula and Spotify (at least their video efforts) have been based on elevating and funding those ultra-budget YouTube creators. Like I watch Lindsay Ellis and Practical Engineering and SkillUp all on non-YouTube platforms now, despite YouTube being the recommendation algorithm that originally brought me there.
It's really the opposite model of the "major" streaming players who fund tentpole releases in the conventional Hollywood way, and then have a long tail of niche content (cooking reality shows and the like) that are clearly on a much tighter budget, but still basically modeled on being a cheaper version of a cable show rather than a much better funded version of a YouTube comedy troupe.
I was just listening to an interview with an up and coming playwright, and he made an interesting point that he really doesn’t like how expensive live theater has become. I guess he has been deliberately targeting super low budget not-even-off-broadway venues because he felt that a big budget stifles creativity. The more money the production stands to lose, the more pressure there is to play it safe.
That kind of describes my relationship with Nebula. There’s a lot of great stuff on there, and lately I have been watching it more than YouTube. But still, YouTube is where I tend to go when I’m looking to find something new that I genuinely haven’t seen before. I think the lower floor for production values is a big part of that.