alt Hacker NewsThis article falls into the same trap, I dunno what to call them, artsy-upper-class-society-and-film reviewers often do; writing vague yet meaningful-sounding things about the obvious subtext of a movie as if it was a revelation, yet without any specific observations about it.
Yes, this is a documentary about a person. And how the documentary is presented will color your perspective of the person. This should (hopefully) be apparent to anyone who's watched a documentary about a person before.
But how does it do it? What tools does it use to that effect? I appreciate that this film remains relatively neutral/ambiguous, but what makes this unique from other documentaries that deal with ambiguous subject matter?
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> this film remains relatively neutral/ambiguous [...] with ambiguous subject matter?
There's a big difference in ambiguousness and ambivalence, especially in documentaries. "Ambiguousness" represents an uncertain logical conclusion, whereas "ambivalence" stands in for (the strength of) conflicting forces.
I'd wager that an ambiguous documentary would be close to being unwatchable, and I can't remember that I've seen any. Since I've yet to see You Can See Everything, unfortunately I can't comment about it in any way.
besides the topic that is being explored is deception so its expected the documentary Will use a rethorical or film technique that has some connection to that theme of deception?
> But how does it do it? What tools does it use to that effect? I appreciate that this film remains relatively neutral/ambiguous, but what makes this unique from other documentaries that deal with ambiguous subject matter?
If you’re that interested in getting these answers, you probably should watch the film