Maybe it's just because I've been around a bunch of people in startup circles, seaking angel and vc, etc and myself raised and had exits and been deposed in highly contentious situations.
Holmes doesn't talk like any innocent person has ever talked. Period. Not even like a naive rube either.
She explicitly initiated this whole thing as a narrative exercise and she just had to stick to the script for what, 45 days? While letting herself feel the genuine self pity all these types of people feel when they are experiencing the consequences for their actions instead of being able to foist them onto someone else?
Her only path forward is to FULLY commit to the bit as a way of deceiving the credulous, even a moment of cynicism and the whole thing falls apart.
Now, did she in fact succeed in that or was it a choice to show no cracks in the facade because it made a more engaging movie?
News flash, I love his media but Nathan Fielder is a monster as well he's my favorite monster but let's not pretend. We can just hold both things to be true instead of engaging in cognitive dissonance.
Other than the children (and that one flatulent horse) everyone involved in this is a monster, and the only way to hide that fact is to ensure the ending is ambiguous, otherwise it just feels like non-transcendent tabloid pap profiting off of bad behavior.
There is goodness, and people attempting to increase goodness and it looks and talks nothing like any of these people.
It really sounds like you would consider most people to be monsters. That is, the vast majority of us participate in exploitation to some degree and rationalize that exploitation as necessary, acceptable, minimal or merely something we cannot change.
That's an arguable position, but the problem with it is that it lacks any kind of gradient. Is the person who stole someone else's lunch from the fridge at work (an unfathomable act, to me) a monster in the same way that any person in federal prison is?
The film is relevant: initially, Amanda felt like a proxy for us, the viewers, someone to point out the abnormality in what we have seen. But then, she showed her unwillingness to even confront the possibility the miniseries was exploitative. She displayed a voyeuristic enthusiasm for more information and involvement. She blended into the film at that point, no longer our proxy as unsullied observer. But, can we really not think of a time we reacted defensively instead of with considered reason? Can we not think of a time we dove into a lurid topic that was fully irrelevant to our lives?
There are a number of cases where people involved in monstrous gang violence appear to show genuine rehabilitation. They devote significant effort toward encouraging others to avoid the mistakes they made. Do they do that because they are no longer monsters, or do they do it because it's one of the few acceptable choices available to someone in their position? I'm not sure we can reliably know.