Nathan Fielder is pretty well-known for his work in The Rehearsal and Nathan for You. Nathan for You resides in the docu-comedy genre, where you take advantage of real people's reactions to absurd situations for comedic effect. Other examples are things like Kitchen Nightmares (where Gordon Ramsey goes into real restaurants and "fixes" them). It's a well-done version of the idea, but not revolutionary IMO.
The Rehearsal, however, extends the idea further. In that show, he helps real people "rehearse" for hard conversations. It involves Fielder building extravagant sets and having absurdly detailed set-ups with multiple actors, then running the conversation multiple times. What makes this "different" is that now the real person is partially in on it? Like, they know that they're on a set. They know that this is a simulation. So the show is more "meta" than previous entries in the genre, opening up other avenues for humour.
I say this because You Can See Everything is best understood as a further extension of those projects. Even the name indicates this, because by nature of a documentary, you can't see everything. You have a real person in Elizabeth Holmes, being interviewed by a person in Fielder that's known for his stunts taking advantage of "real people," where he watches fictionalized versions of Holmes with Holmes herself? Viewed in light of his previous projects, this feels like an extension of them.
But even with that, I think the setup does allow you to see something real in Holmes. She also knows how people "want" to see her! So there's also a sort of meta-narrative there too, where you know Holmes is on her best behavior to try and dispel the narrative from those fictionalized TV characterizations. The fact that she comes off poorly in the documentary says something, even accounting for the fact that Fielder is trying to sell a narrative.
It's a real mind game, but I think it's representative of Holmes because of that. She is going to jail for a fraud that amounts to a similar sort of mind game, she agrees to a documentary to show herself differently, but that documentary is also a mind game. Wild stuff.
> Wild stuff.
Maybe I'm missing something here, but I fail to see anything that seems particularly "wild" in a film featuring a bunch of insipid mind games. Mind games are not exactly new or fascinating, you find them almost everywhere you go these days.
There is no longer any mystery about Holmes. As everyone already knows, she was a fraudster convicted of criminal fraud. The whole story of Theranos has been covered at length in the press, including an award-winning book that was published several years ago [0].
This so-called documentary seems like another reality show featuring a former celebrity with little self-awareness, who is incapable of seeing how absurd and ridiculous she appears now that she is no longer powerful.
[0] John Carreyrou (2018) Bad Blood: Secrets and Lies in a Silicon Valley Startup, Knopf