Somehow this particular formulation makes me scream internally. It's not the classic print edition of the NYT that everybody grew up with, it's the click-maxing online version...
For me I’m thinking about the postmodern pastiche of it, as in Jameson’s Late Capitalism, wherein the NYT (while in many ways not a fair and trustworthy entity) earns its credibility through the measure it takes of risk before publication— this project would reproduce the aesthetic identity of such carefulness without actually containing it.
For me I’m thinking about the postmodern pastiche of it, as in Jameson’s Late Capitalism, wherein the NYT (while in many ways not a fair and trustworthy entity) earns its credibility through the measure it takes of risk before publication— this project would reproduce the aesthetic identity of such carefulness without actually containing it.