> Try to explain what it's like to hear a major and a chord to a deaf person, or what it's like to see magenta to someone who's blind.
I know this isn't what you wanted, but the dualism struck me:
A major chord is like a blend of two base colors that give rise to a pleasant composite color. Mix the wrong bases and the result is sensibly wrong.
Magenta is like when you play a D and an F# together. When you see it at sunset it's like a major D chord surrounded by the sound of babies laughing. When you see it on the battlefield it's like a minor D chord wrestling against the noise of wind and rain.
> A major chord is like a blend of two base colors that give rise to a pleasant composite color. Mix the wrong bases and the result is sensibly wrong.
why does a major chord sounds pleasant? and why does a minor chord sounds "sad"? Why does the locrian mode sound so unsettling? is it due to our anatomy or purely cultural?
What is it like to experience synesthesia :-)
These are very good analogies (and possibly experiences for those who are natural synesthetes), but even then, that won't make the who doesn't have the corresponding perceptual modality person experience that exact sensation.